Harper Lee’s release of “Go Set a Watchman” stirred mixed reactions among fans of her classic novel “To Kill a Mockingbird.” Many who revered Atticus Finch as a moral beacon were disappointed by his portrayal as a racist in the earlier draft. However, fans can reclaim the “real” Atticus through Gregory Peck, who passionately opposed racial prejudice, long before “Mockingbird” was written.

Peck’s anti-racist stance was evident in his early career. During the 1940s, Hollywood often depicted Haiti in a derogatory light, but Peck sought to create a more accurate and positive portrayal. He envisioned a film showcasing Haiti’s revolutionary struggle for independence and its triumph over French exploitation. Peck’s commitment to egalitarian ideals extended beyond racial issues; he also spoke out against anti-Semitism.

In the 1948 film “Gentleman’s Agreement,” Peck played a journalist exposing everyday anti-Semitism, despite advice that such a role might harm his popularity. His powerful portrayal earned him an Oscar nomination and helped raise awareness about discrimination in America.

While Peck’s on-screen actions aligned with his principles, some aspects of his personal life were less clear-cut. He expressed interest in playing the lead in a film about Haitian history, which would have involved him appearing in blackface, a decision that raises questions about his understanding of racial sensitivity. Additionally, there are accounts suggesting he did not confront anti-Semitic practices in his own community, although he publicly denounced them in the film.

Peck’s impact on postwar America cannot be understated. “Gentleman’s Agreement” challenged bigotry and inspired viewers to confront prejudice. Despite the complexities in his personal life, Peck’s dedication to social justice resonated with audiences, making him a symbol of hope for a more inclusive society.